I was near
Shane, who was spooning an egg dish into his mouth, eyeing the last remnants of
a dazzling sunset through one of the hall’s tall windows.
“Have you
tried Juan’s tacos?” Dianne, next to me, inquired.
Shane
turned to Dianne. One of the tacos was firmly in her hand, partly consumed.
“Not as yet,” Shane replied. “Do you recommend them?”
Her nodding
response was eloquently muffled by the bite she took as the question was asked,
so Shane took the chance to recommend a Thai omelette.
A friendly
debate ensued, occasionally turning to quiet exaggeration, about the relative
merits of dishes we had sampled at the post-meeting feast, and others besides.
I had
sampled freely, but had stayed close to David and Dianne. In particular, I had
kept my distance from Mattie.
After Shane
moved away, Dianne whispered to me, “Our fondness for spicy foods is perhaps
the only common interest he and I have. But here, at least, it suffices.”
“This is
glorious food,” I said, grabbing another samosa. Most of the dishes were simple
but very flavoursome. “Who does the catering?”
Dianne,
still free of her fidgeting, explained that each month, except January and
December, the task of preparing post-meeting feasts was rotated between groups
of seven or eight households. Combinations changed each year, except for firm
favourites, though three households who never attended the feasts excluded
themselves from the task. In January, the most laid-back month, still the most
popular for holidays, no feast was held—but then, many people were often still
recovering from the previous month’s grand gorge, to which all ten of the
monthly cooking groups contributed. It all cost nothing, other than time and
energy—unless exotic ingredients were included. When the cooks ordered the food
to be prepared, they simply ‘billed’ it as a locality ‘expense’—CAPE then
treated the food as part of the yearly quotas for the locality’s members
(non-attendees excepted).
Later,
queuing for an additional helping of salad and a third or fourth top-up of
wine, I belatedly noticed that the woman in front of me looked exactly like Yvette—from the rear at
least. I found myself hoping. Why not? She’d already appeared in this dream
once, if in a somewhat unwelcome way, so why not again, more conveniently? The
woman selected her food and turned to head off, but then noticed me.
With a
generous enchanting smile, she said, “Hello Ernest.” The smile was also
Yvette’s, as was the straight nose, full red lips, and soft blue eyes. But she
was not Yvette. Her voice was deeper and huskier for one, and she may have been
a little younger for another. Still, I could not take my eyes off her. She wore
a loose, highly coloured, floral top which left her arms bare, but gave no more
than a hint of cleavage, and an even more colourful pair of striped but tight
slacks. Yet it was not her clothes that caught my eye—it was her tantalising
resemblance to Yvette, and, I must admit, her equally tantalising differences.
When I failed
to respond to her greeting, she tilted her head and said, “Is something wrong?
Do I have crumbs on my lips?”
She tried
to wipe away the imaginary crumbs before I could reply. “No, there’s nothing
there,” I said. “Sorry, I just…”
A friendly
voice jostled me from behind. “Hey, Ernest, are you going to top up your plate
or not?”
The woman
moved off, and I hurriedly scooped a generous helping of salad onto my plate.
When I turned, I could not see her. I moved about, trying to look nonchalant
but searching for her. When I finally found her, she was chatting with another
woman of about her age, close to the food table but further along it. I
wandered near, trying to look as if she was not the sole object of my
attention, but then stopped, stunned to hear the other woman say, “O Yvette,
you didn’t?!”
I almost
dropped my plate. The efforts I made to prevent it happening must have caught
Yvette’s eye, for when I looked up, she was watching me. “Are you okay,
Ernest?” she said. The other woman also watched me, but her attention was
diverted by a man who walked up to her and started talking about the weather.
Yvette walked closer to me, apparently demanding a response.
“I’m not
Ernest,” I finally said.
She smiled.
“O? Who are you then? Charlie Chaplin?”
“My name is
Steven Stone, and I’m dreaming this. All of it.” Her eyebrows lowered in
uncertainty, but she kept smiling. “I’m not joking. I know everyone else thinks
I’m Ernest, too, and I look just like him. But I’m not him. You look a lot like
my wife, but you’re not. Although you have her name.”
“Her name?!” she said with obvious
scepticism, her smile disappearing, and her head tilting. “Has your experience
with Mattie suddenly scared you straight?”
“I’ve
always been straight.”
“That will
come as something of a surprise to many men. And to me! How many times did I
try to convert you at school?” The smile returned, a knowing version, which
left me guessing—and curious.
With my
mind’s track derailed by her words, I found myself unsure how to reply, though I
kept gazing intently at her.
Her smile
faded with concern. “Are you all right, Ernest?”
“Steven,” I
said calmly.
“Okay—Steven,
then. Should I come up with a new name for myself, too? What about Cleo?”
“No,” I
said, earnestly (or, rather, stevenly). “Yvette sounds just right.” Realising
that if I did not soon prove to be more engaging company, she would likely seek
it elsewhere, I made a hurried attempt to be conversational, the choice of
topic perhaps inevitable. “This ‘converting’ you attempted—I take it, it
failed.”
The smile
returned, complete with the briefest most delicate guffaw I’ve ever heard.
“Yes, it failed. Don’t you remember?”
“How could
I? It wasn’t me.”
“Come on,
Ernest, a joke’s a joke.”
“It’s no
joke. My name is Steven.”
“Right! And
you’re in the middle of a dream?”
“Right.”
“And you’re
straight as a board!?”
“Right.”
She tilted
her head again and studied me long and hard. She hadn’t removed her eyes from
mine since our conversation began, and in marked contrast to Dianne, she almost
never blinked. I almost felt like I was starting to wilt under her steady gaze.
“Don’t believe you,” she said suddenly, matter-of-factly. She straightened her
head, and drained her almost empty glass. “You’ll have to prove it to me,” she
added in the same tone, before surprising me with a slow wink. “Your place or
mine?” she added, smiling.
My earlier cognitive
derailment suddenly detoured and sped up, racing in the direction of a possible
tunnel. What sort of dream was this? I could not think what to say.
“So,” she
said, “when it comes to the crunch…”
“No,” I
said, “it’s not that. It’s… well, there’s my wife.”
“O right.
Your wife. Is she part of this dream, too?”
“No, no,” I
said, shaking my head.
“Then why
not? If this isn’t real, why not go for it? Is your sense of fidelity so
overpowering you have to reject a wet dream?”
“Of course
not.”
“Well, are you dreaming, or aren’t you?”
I could not
reply. Sinking in indecision, I drained my glass, put my plate down, and bought
time by offering her a refill, which she accepted. But the time it took me to
return with two full glasses did not bring me any closer to a decision. It had
to be a dream, and yet I could not shake the feeling that were I to indulge in
it fully, I would be betraying Yvette—the real
Yvette. My Yvette.
When I
handed the other Yvette her drink, she looked me in the eye and grinned. At
first, I thought her grin was wanton, but the next moment it struck me as
cynical, sceptical. “Well?” she said, “is it to be a sweet dream or not?”
A sudden
loud noise from the front of the hall saved us from another awkward silence. A
young man with outlandishly coloured patchwork clothes and a shock of bright
red hair had apparently fallen over on the stage, and was noisily clambering
upright. Only after he stood, did I realise he had fallen off a unicycle and
was attempting to re-mount it.
“Ahhh,”
drawled a woman behind Yvette. “The entertainment.” She and the rest of the
hall’s occupants gave a brief round of applause.
Yvette,
still grinning, turned from me to watch the man on stage. Although I was glad
for his inadvertent interruption of my conversation with Yvette, his obviously
clownish antics gave me no joy. Nevertheless, occasional gentle laughter
erupted from many in the hall, especially children.
After one
tired routine twisting balloons into shapes that were only supposed to be animals, I could not restrain myself. “I hope this
guy is cheap,” I whispered into Yvette’s ear.
She turned
to me and her smile was gone, replaced with a bemused expression. “What’re you
talking about?” she whispered. “You must recognise Luke. As if we’d pay him! Or
he’d accept payment.”
A soft
groan escaped me. “Another free service?!” I said, in a loud whisper not
directed especially at Yvette. “You are a selfless bunch of do-gooders, aren’t
you?” I took another long swig of wine.
One or two
closest by turned their heads to me in mild and clearly surprised disapproval,
but it was Yvette’s reaction that took most of my attention. She tilted her
head again—something I soon realised she did whenever surprised or curious—and
her bemusement turned darker. “What are
you talking about, Ernest?” she said, just loudly enough for me to hear.
Feeling
frustrated, and suddenly impulsive, I whispered, “How about your place?” The
question apparently caught Yvette by nearly as much surprise as it did me. And
yet almost immediately I said it, I was glad. Maybe it was just the wine going
to my head, or maybe the ‘entertainment’ was driving me to seek a more
enjoyable alternative, but I suddenly felt like I’d wracked myself with enough
indecision. Why look a gift horse in the mouth? Of course this was all a dream. Surely that was made obvious by the
fact that the one woman in it for whom I felt an attraction resembled my wife
and even shared her name. Why my subconscious was doing this to me, what the
point of it all was, I still did not know. But I’d laboured under the same
uncertainty ever since the dream had begun (as was typical of most of my
dreams). Maybe I really was having a fortieth birthday crisis—there was a
certain unwelcome plausibility to the idea.
Yvette
studied me closely, apparently unsure how to take me.
“You said
I’d have to prove it to you,” I whispered, hoping to end her indecision. “So
let me prove it.”
Her
expression and scrutiny did not waver, until with sudden resolution, she sipped
her drink, placed it on the table, looked me in the eye, and said, “Okay. Let’s
see if you can prove it.” She moved
toward the hall entrance, only to stop and turn to me when she realised I
wasn’t following. She tilted her head again, this time clearly as a question,
to which my answer was to swallow hard, drain my glass, put it on the table—so
roughly it fell sideways and had to be righted—and then follow her.
“I don’t
know what’s gotten into you, Ernest,” she said as we left the hall, “but this
little game of yours is intriguing.”
“Steven,” I
said. “And it’s no game. I’m deadly serious.”
“Are you?”
she said. Her eyes locked on mine. “So who’re you meant to be really, Steven? Someone who doesn’t recognise
Luke or know he’s an amateur, apparently. How come you’re so ignorant?”
“This is
not my time,” I said, quietly, my eyes scanning from side to side as we crossed
the road in late twilight. “I’m dreaming I’m forty years in the future. And
it’s a future with no one I know. With very little of anything I know.” I looked upwards. “Even the sky. The moon was a
thin crescent just before this dream started, yet now it’s nearly full!” And there
was no sign of Jupiter which was high in the sky when I was last home. At least
the constellations were the same: Scorpio, for instance, was in the right spot above
us.
Earthbound,
though, a Concorde-car cruised quietly and slowly into view as Yvette and I
reached the footpath. “Even cars are nearly unrecognisable,” I continued.
“You
recognised me.”
“No, I
didn’t. You just look a fair bit like my wife.” I glanced at her: wearing a sly
smile, she was watching me as intently as walking allowed.
“And do you
like this future?”
“The jury’s
still out on that. Truth is, I don’t altogether understand it. It’s certainly
not what I expected.” I laughed abruptly. “I didn’t expect locality meetings
and a clown. Are we missing any other riveting stuff?”
“Some
music,” she said, “including a solo ukulele recital by Wanda Jones.” She
shuddered. “Some attempted stand-up routines. And, I think, a short play.
Thankfully, after last month, no poetry.”
“So what I
saw was typically ordinary?”
“Come on,
Ernest, you’ve been to plenty of meetings—you know what goes on afterward.”
“Steven!
And I told you, I don’t.” When she just looked at me, without replying, I
pushed on. “You don’t have to believe me—god knows, Wilbur doesn’t; he thinks I
have amnesia and false memories—but you could at least humour me. Was it
typical?”
She sighed
and relented. “If that’s what keeps you in the mood… Yes, it was pretty
typical. Except for the rare occasions we hire a professional performer. You
can’t expect too much from locals. They may have copious spare-time to pursue
their art, but very few have much real talent. I think Hans is about the only
one who’s gone on to greater things.”
“Hans?”
“You must
remember him. You were one of his strongest advocates. In fact, I think you
were the one who first suggested we use Chord funds to pay him to perform after
a meeting. He needed encouragement you said.”
“Encouragement
for what?”
“His
comedy.” She stopped in her tracks, and stared at me. “How do you make a camel
hump?”
“What?!”
“It’s his
most famous line. How do you make a camel hump?”
I shrugged
my lack of knowledge of the answer.
“Use an
Arab,” she said.
After a
brief and laughter-free silence, I said, “Isn’t that a bit lacking in political
correctness?”
“There’s an
expression I haven’t heard for a while. What do you expect from a
pseudo-surrealist comic?”
She resumed
walking—to my surprise, not further along the footpath, but into the front yard
of a house. I belatedly realised it was next door to Ernest’s. “You and I are
neighbours?!” I said.
“O right!
You forgot that too!”
“I didn’t
forget. I never knew. I never laid eyes on you until tonight.”
“Whatever
you say, Steven,” she said, with a
weary tone. She opened the front door of the house and moved inside, leaving me
for a moment alone on the doorstep. “Feel like another wine?” she said.
“Think I need another one,” I replied, moving
inside and shutting the door. I followed the direction of her voice and found
her in the kitchen. We were silent a few moments until, perhaps stalling, I
picked up the discussion where we had left off. “So this Hans—he actually
manages to make a living from jokes like the one you just told?”
“Yes,” she
said, taking two glasses and moving to the refrigerator. “He’s officially paid
by Hillbeach at the standard comic’s rate. He was something of a hit at his
first post-meeting performance. They’re as good a way as any for amateur
performers to get noticed. Though it takes raw talent, as well as persistence,
to convince any plurocracy to pay a performer’s wage. Or an artist’s.” She
poured generous glasses of a dry white wine.
“Are you
saying performers and artists survive entirely by state assistance, like in
Soviet Russia?”
“Goodness, Steven,” she said, again emphasising my
name in obvious mockery. “This game of yours is starting to wear a little thin.
Artists and performers survive quite comfortably, like the rest of us. But not
many achieve enough recognition or popularity for plurocracies to pay them a
wage, especially full-time. Instead, most do other work as their needay, and pursue
their muse entirely in their spare time.” She handed me my glass and gestured
towards another room.
“The
professional artists, though—they’d all have to be budgeted for by CAPE, wouldn’t
they?”
“Of course.
As well as can be anticipated.”
“So who
gets to own the art? Or is it never owned, merely stewarded?” We sat down next
to each other in a large three-seater couch. I began to drink my wine in big
gulps, whereas she took smaller sips.
“Good
guess,” she said, with the last word emphasised to make it clear she thought I
was not guessing at all. “Artists can be commissioned by individuals or
plurocracies—who then steward the works created. But there’s also plenty of
non-commissioned art produced, which artists can give away to the first
interested party they approve of, or keep for themselves if they’re amateurs.”
“Give
away!” I blurted out. “Surely you’re not claiming all art is free!?”
“Not
everywhere,” she replied, with a tinge of irritation. “Each plurocratic region
and above chooses whether the price of its art is different to its cost. But Hillbeach
has voted for free art—at least for the art itself, not performances or
displays which often cost something to see.”
“What about
old art, like Van Gogh’s paintings which used to sell for millions? Surely they
can’t be free. They’re priceless!”
“In every
sense of the word. That’s why the most famous art is plurocratically stewarded—it
can’t be bought or sold but moves from one place of public display to another, usually
within a plurocracy, but sometimes on loan to others.”
“So no one
can have a Picasso hanging on their wall, they can only visit them in
galleries?”
“Of course.
Although the main reason is preservation—too much risk of damage or
deterioration hanging an old masters on a living room wall. Most people, of
course, are content with copies.”
“I can’t
believe artists are happy with this arrangement. How do their egos cope with
their work not being fought over with
hard cash? It must cripple their creativity!”
“Quite the
opposite. Creativity flourishes. Artists have the time and financial freedom to
explore their interests, without worrying about making sales and commissions.”
“But it’s
so uniform. All artists on the same wage.”
“Who said
anything about a single wage? Artists’ wages vary. It depends on the nature and
costs involved in their art, as well as on public perception and popularity.
Much like successful musicians and authors.”
“So the
unpopular artist can’t flourish? Van Gogh would still die in poverty if he was
alive today.”
“Hardly.
Chances are, with the Net available to record and publicise his work, and have
it rated, he’d have gained some sort of following. Capturing the attention of a
fanatical few’s just as often as successful as gaining the mild interest of
many. That’s more or less how Hans won his wage. But even if Van Gogh had no fans today, he wouldn’t have to
endure poverty: at worst, he’d suffer the restrictions placed on some burdos;
more likely, he’d just put in his one day of work a week and live like the rest
of us, exploring his art in his copious spare time.”
I shook my
head vigorously. “Now that is
something I cannot get my head around. If everyone can spend pretty much as
they like, why does anyone bother working?”
“Because we
have a duty to do our share.”
“A duty you
can ignore! Don’t you have the right to choose not to work?”
“Yes, but
also a duty not to harm others by exercising that right. If any of us chooses
not to work, the work still has to be done, so others’ working hours increase.”
“But then
you are obliged to work. And all your
talk about it being a choice is self-deception.”
“Anything
but. There are no compelling laws and orders—no one’s forced to work, just
encouraged in different ways to do the responsible thing. A few don’t, but
rarely for long—they only end up ostracising themselves. The rest, liberated by
stable economic conditions, and the abolition of any need to compete, make the
responsible choice because it can be
done without coercion.”
“If it’s
harmful to not work,” I said, all but ignoring her words, “why not just make everyone work? In fact, couldn’t
you plurocratically decide everything
that’s harmful, and then ban it? Like racism.”
“Banning
something doesn’t stop it. Order can’t be imposed, only built from within. The
trick is to accept that there will always be people with different views,
habits, and cultures—and to not let
it matter. Not unless it’s causing genuine
harm. Toleration of differences is at the root of cooperation.”
“But how do
you ensure that people do tolerate?
Or cooperate?”
“You can’t
ensure it. There are no absolute solutions, no hard and fast realities. Each
moment involves choice and chance. Control is not possible, only trust. And
care. And forgiveness and understanding when mistakes are made.”
“So,
despite endless involved decision-making, you just trust people to make the right choices? To agree to work, for
instance?”
“In a
manner of speaking, but the guiding rule encourages the right choices.”
“It doesn’t
guarantee them.”
“As I said,
nothing can. In any case, all other approaches have failed, as history
attests.”
“Failed!?
At what? In my time, we had more people wanting to work than could.”
“Is that
supposed to be an achievement?” she said, calmly. “Or having more work than was
needed? More pollution than could be dealt with? More stress, alienation,
violence, war? I wonder sometimes how we ever got through it. Tell me, Steven, was your time really such a great time to live? As Ernest, you’ve never
thought so.”
“It had its
problems, but it also had plenty going for it. For one thing, it was
progressive. And bold and innovative. I can’t believe it led to this. The
future I expected was one of genetically engineered people, nanotechnology,
bio-implants, asteroid-deterrent systems, space exploration—at least some
dazzling skyscrapers. Where is it? All I’ve seen of 2070 is more like 1970. Like a large-scale retirement home
for the terminally uninspired. Low tech provincialism with an environmental
twist. Green suburbia.”
She took a
deep breath, before responding, to my surprise, without any noticeable
animosity. “Chord is suburban, but
hardly backward. We have everything you mentioned, it simply doesn’t dominate
our lives.”
“Really?
You’re genetically engineered are you? Let me guess, you have wings folded
behind your back.”
“O for
god’s sake. As you well know, genetic engineering is mostly used to remove some of the more
obvious recessive genes, to avoid hardship and suffering. It’s a medical aid,
like the limited nanotechnology that’s been developed, and the odd bio-implant,
not some mandatory brave new world procedure. Occasionally, it’s applied to
crop and animal breeding, but with more care, more safeguards than the pursuit
of profit ever allowed—and without
corporate gene ownership. Just because we don’t parade our technology in front
of your eyes every moment, doesn’t mean we don’t have it, or use it in an
appropriate and plurocratically agreed way. This is not some turn of the
century Hollywood sci-fi epic.”
“You can
say that again. It’s more like a post-war Jimmy Stewart film.”
“Who?”
“It doesn’t
matter. I just— I don’t belong here. Everything was simpler and easier in my
own time. You could make a decision to do something without so much fuss,
without the self-deception and dilemmas of choice you’re faced with here over
the simplest bloody issue.”
Yvette
snorted derisively. “If that’s true, then why didn’t you address the problems of your time? If it was so much simpler and
easier to make decisions, why didn’t you make them? Instead of speeches? That
seems to be what you did most—endless lip-service to the difficult issues of
the day. The bigger the problem, the longer the speech—and the more the problem
tended to fester untreated. Spin instead of action. Were you all unaware of
what was going on around you?”
Anger
building, I drained my glass. “We knew what was going on, of course we did.”
“Then why
didn’t you do something about it?”
I rubbed my
forehead, flushed and irritated. “We did plenty.”
“Plenty of
nothing. O, some had genuine concerns and intentions, they at least tried to do
something, but most missed the point. They just couldn’t accept that you can’t
have your cake and eat it too. And so, millionaires who claimed to be environmentalists
regularly took their carbon-emitting private jets to well-meaning blab-fests all
over the world. While their less well-off followers jet-setted overseas for annual
vacations. And left their energy-efficient lights needlessly burning in vacant
rooms. And justified having dishwashers because they saved water, while ignoring
all the water and other resources used before and during the manufacturing
process and after the machine reached the end of its life. What they really
needed to do, above all else, was set an example: stop consuming to excess, live
simply and modestly, not replace things grown unfashionable or boring every few
years, settle for enough instead of for ever more and never enough. But instead,
everyone just soldiered on with business as usual. Even though that was what
was exhausting the planet and causing most of the problems you faced. You did know that, didn’t you?”
“Yes, we
knew.” It felt like my head was spinning. Yvette’s accusations were aggravating
my already degraded state. Loathe though I would have been to admit it, least
of all to myself, but I was labouring not only under the mental duress of my
sudden unexpected displacement into this foreign world and the information
overload I’d endured since arriving, but also under the mounting physical
discomfort of my recent excessive consumption of alcohol. I might have been
dreaming it all but it was becoming a subtle nightmare. “We knew,” I repeated.
“We just didn’t want to accept it. So we put it to the back of our minds, and
hoped it’d go away. Or someone else’d fix it. We had a right of our own—a right
to try to enjoy what we could of what we had, despite the mess. A right to our
own lives. But we knew what was going on. Many of us anyway. We just did
nothing.”
I stood,
intending to refill my glass, but instead, the parlous state of my head was suddenly
mimicked by my stomach. I did not take a further step, though I remained on my
feet, wavering from side to side. I glanced at Yvette and saw concern. I
rejected it with a broad sweep of my hand. “And you’re telling me this is our future?!” I railed. “This
citadel of co-operation and responsibility.” My movements did not help the
state of my stomach. “What did we do to deserve this future?!”
“We chose to make it happen,” said Yvette
calmly. “And then we did make it
happen.”
I had no
reply—but my stomach demanded its own form of utterance. “Where’s your toilet?”
I grunted, staggering forward, doing my best to keep my stomach’s ‘language’ to
itself.
“Through
here,” said Yvette, standing quickly and leading me to the right place, just in
the nick of time. I heaved uncontrollably for several minutes. It’s never pleasant,
not even when the results resemble Monet.
After I’d
finished, I found Yvette in the kitchen, stirring a glass of clear liquid.
Shamefaced and repentant of anger and excess, I nonetheless found it difficult
to apologise. I avoided doing so by raising an irrelevant topic. “This future
sure has weird toilets. I’ve never seen such a dry flush.”
“It’s
perfectly normal,” she replied, scrutinising me carefully while stirring. “Here
in your future, we treat even human
waste as a resource.” With a small sigh, she correctly interpreted my
expression, and continued in a tired voice. “All the toilets on this block are
linked to an underground storage system near the central pond, where it
degrades with minimal treatment into high quality fertiliser, and gas used for
heating and cooking.”
“No shit!”
With that unbidden comment, and another of Yvette’s head-tilts, I belatedly
realised I was truly drunk. “Sorry. Think I better sit down.” I moved to the
lounge again and sat on the nearest couch, a single-seater. I did not feel
good.
Yvette
joined me at once, and offered the glass of clear liquid to me. “This should
calm your stomach and get rid of the bad taste. As well as avoid a hangover.”
When I looked at her dubiously, she said, “Unless you’d rather another wine?”
I took the
glass immediately, but drank cautiously. She sat opposite, at the closest end
of the long couch.
“What’s
going on, Ernest?” she said. “We’ve had many a drink over the years, but you’ve
never had more than you could handle. And all this talk about being Steven… Are
you having some sort of crisis with your research?” When I said nothing, lost
for a reply, she continued. “It’s not Mattie is it? I thought you were well
over him.”
I shook my
head (which only made it feel worse). “No, it’s none of that. It’s what I told
you. I really am Steven from forty years ago.”
“And you
think you’re dreaming?”
“I know I’m dreaming,” I said, calmly for
once. “I have to be dreaming.”
It was her
turn to shake her head, gently. “This is no dream.”
I suddenly
felt amused. “It’s certainly no wet
dream,” I said. “Are you turned on yet?” I started to laugh. “Have my seductive
charms and winning ways convinced you to submit?”
She laughed
as well, but briefly. “Long ago, Ernest, long ago.”
I stopped
laughing, suddenly giddy in perhaps more ways than one. “Is there no one else
in your life?” I said.
“Not at the
moment.” She took her glass of wine from the table between us, and sipped from
it, just as I drained my own glass. “Still haven’t found Mr Right.” With
another abrupt laugh, she put the glass down. “Like you don’t know! How many
times have you let me cry on your shoulder?”
“What are
neighbours for?” I said, lightly.
“Even
before we were neighbours,” said Yvette. “Still can’t believe how lucky I was
this house became available.”
“Took your
fancy did it?”
“Less than
others. But having you so close decided it for me.” She smiled warmly.
It was
Yvette’s smile. My Yvette’s. This had to be a dream. I certainly wanted it
to be.
I put my
glass on the table, stood and, taking great efforts not to fall over, staggered
across to sit on one arm of her couch—the closest one, as it turned out, though
my original intention had been to move to the other side of her and sit on the
couch itself. I put an arm round her shoulders. She nestled her head against my
side. But the situation was not stable, not with my wavering sense of balance—very
soon, I slipped off the arm of the couch with a sudden lurch, my full weight
landing against Yvette, who collapsed sideways, sprawling.
Suddenly, I
was on top of her, our faces close, one of my hands partly under her neck, the
other resting on one of her breasts. Intense looks followed, her smile wide. My
hand began caressing as if of its own accord. Her smile morphed to uncertainty.
I moved my face closer to hers—but halted when she spoke.
“Are you
sure about this, Ernest?”
I nodded
blissfully, lost on autopilot.
“Are you
sure you’re up to it?
My groin
answered for me, a gentle press acting as translator.
Her eyes
widened—full of surprise—and her smile returned. “Feels like you are.”
I kissed
her and she returned it with passion. My giddiness increased.
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Chapter 17![]() |