Wilbur led
the way along the verandah and side of the house into the front yard. It was
small but with a dense native garden. After we moved through an empty carport
onto the footpath, I was struck by a sudden thought. “Aren’t you going to lock
up?” I asked.
Wilbur kept
walking but turned to give me a quizzical look. “Why would I do that?”
I was ready
to make the obvious reply, when I decided I’d had enough obfuscation for one
day. Rather than have to deal with some new piece of information probably
intended to further unsettle me, I shrugged my shoulders and walked in silence
next to Wilbur for the rest of the journey.
It made no
difference—I could not avoid being further unsettled. We turned into two other
streets along the way but they were all the same: not what I was used to. Sure,
there was the usual arrangement of houses, paved roads, footpaths, gutters,
kerbs, gardens, even the odd fence, but that was about where the similarities
ended.
On generous
blocks, separated almost always by screening hedges not fences, houses were
made of mud-brick, ordinary brick, concrete, several of rendered straw, but
none of timber. All had very modern but unorthodox architecture, full of
passive solar efficiencies, with large north-facing windows. A surprisingly
large number had stained-glass front doors. In several yards, water tanks could
be glimpsed behind large bushes, fed by downpipes from roof gutters. Better
hidden tanks were probably on nearly all other houses, judging by the
arrangements of most gutters and downpipes. I saw no power lines, although that
didn’t surprise me—increasingly, new estates were putting them underground.
Notably
absent was the gratuitous over-the-top obsession of recent years with expansive
double-storey indulgence. Most houses were modest single-storeys, and yet none
looked cramped. Even more strikingly, while each house had its own identity,
choice of colours, and idiosyncrasies of style, somehow they managed to
harmonise, again in contrast to the often glaring contrasts that corrupted most
suburbs. Urban character guidelines might have been in force for some time at
home but usually they could not contend with the accumulated visual pollution
of previous generations, or even the varying tastes of new home builders. Here,
however, it was as if the entire neighbourhood had been designed carefully and
built as a single entity, guided by a strong sense of urban aesthetics and
visual harmony, yet somehow avoiding sterility and artificiality.
All of
which further begged the question: where the hell was I? If this was the city
of Chord, why had I never heard of it? It was certainly unusual enough to have
attracted attention. Unless it was a classified military installation engaged
in top secret research. If so, I saw no uniforms.
My sense of
discomfort only mounted when I noticed a car. All houses had carports (but no
garages)—some apparently joined to that of an adjacent house, others separated
from, but side by side with, their neighbour’s—but most were empty of cars. The
first one I saw was utterly unfamiliar, like no make or model I’d ever seen.
Relatively small, though big enough to seat five, it was even lower to the
ground than a sports car. Its lines were smooth and curved, unfashionably so
given recent trends, but distorted compared to older models. Its wheels were
almost completely hidden by long pointed front ends and equally long but
blunter boots. Overall, its contours reminded me more than anything else of the
Concorde jet. Completely missing were the exhaust pipe, and manufacturer logos
and labels.
I stopped
walking and turned to Wilbur, ready to hit him with questions. Then I saw
another car, identical to the first except for its colour, approaching rather
slowly along the road. As it drove past, there was a slight dull noise from air
resistance, but whatever powered it was all but silent. I decided to follow
suit: to avoid any further disorientation, I kept to myself the questions
tossing in my head, and resumed walking. Soon, I noticed more of these baffling
cars parked under other carports, and in the street. Apart from being in
various colours—across the spectrum but always dark, with no pastels or muted
shades—they differed in only one way as far as I could tell: as well as the
five-seater I first saw, there were smaller two-seater versions. But they were
much less than ubiquitous: rather than the standard two-car family, there
looked to be no more than one car every five or so houses.
Where the
hell was I?
It looked
eco-friendly enough to have given Yvette a wet dream. Her phrase for it, I’m
sure, would have been ‘visionary’. But where was it? The topography was not
exactly flat, but neither was it as hilly as home. It was nowhere near home, I
was sure of that, if nothing else. There was no way I could have overlooked a
place like this in the vicinity, not after having lived where we had for almost
a decade.
Wilbur and
I continued along the shady footpath, my mind in uproar. I grappled for
explanations, but quickly rejected each desperate idea. An elaborate set for a
new big budget film? Too large, surely. The world’s biggest and most secret
timeshare resort? No sign of a beach. A secret enclave of a maverick group of
environmentalist millionaires? Or organised crime barons? Cars and houses
weren’t ostentatious enough.
Soon I saw
several people riding bicycles on the road, and several others walking ahead of
us, some approaching. One young woman, pushing a pram, her face shaded by a
wide cane hat, smiled when she drew near and, looking straight at me, said
“Hello, Ernest.” By now starting to get used to the name, I was able to put
aside my momentary shock quickly enough to return a stuttered “hello”. “Beautiful
day,” she added as she passed, to which all I could think to respond was a
feeble “yes”. Two other people made similar greetings to both Wilbur and I
before we reached our destination.
“Here we
are,” said Wilbur, stopping at the fenceless border of one typical mud-brick
house. Perhaps I was growing paranoid, but I thought he was watching me very
carefully despite affecting an air of casualness. He gestured to me to walk
ahead of him along the short path to the front door, and I did so, warily. I
was suddenly aware that, like every other house we’d passed, there was no lawn.
Nor had I seen any in Wilbur’s back yard, nor even on the nature strips which
were invariably native grasses mixed with small shrubs and ground covers. Small
sections of many gardens resembled lawns, but even my untrained eye could tell
they actually consisted of low, usually mossy, ground covers. Not many mower
retailers round here, I decided.
When I
stopped in front of the door, I waited for Wilbur to indicate what next.
Without removing his gaze from me, he opened the apparently unlocked door, and
gestured for me to enter. Trusting
neighbourhood this one, I thought, as I warily stepped inside. Could it all
be a clandestine project of some religious sect? No, Wilbur didn’t smell of
incense, or mention deities, prophets or sacred texts every other sentence.
I stopped
in the entrance, looked about me, and asked, “Are we meeting someone here?”
“In a
manner of speaking perhaps. Why don’t you just have a look round?”
Wilbur
silently followed every step I took through the house. It had a different
layout of rooms to his house, and a considerable art collection—not just
paintings but also abstract sculptures and mobiles. But what struck me most was
the dishevelled state of the furniture, and an overall untidiness. Unwashed
dishes were strewn throughout the kitchen, some still containing leftover food.
A few plates in similar states in the living room kept company with many books
and an e-reader left presumably where they’d last been used. There were a lot of books in the house—one whole wall
in what looked to be a study was full of shelves overflowing with them. The few
titles I noticed all concerned history. Only the second bedroom was orderly, an
apparent sign of its disuse. The floor of the main bedroom, by comparison, was
littered with several items of clothing. The wardrobe was wide open, revealing
clothes similar to the atrocities I was wearing, and equally as colourful,
spilling over shelves and each other. I could not make up my mind whether the
owner was simply untidy or if the house had been ransacked.
“Well,” I
finally said, returning to the main living area, “what is it you thought I’d
find of use here? A spare set of clothes?” When Wilbur did not answer, I pushed
on. “Whose house is it, anyway?”
“It’s
yours,” said Wilbur, his eyes fixed on me, it seemed at the time like a fox on
its prey.
“Really?
You shouldn’t have.” Sarcasm seeped from my voice. “How generous of you.”
“You’ve
lived here for, I think, five years,” said Wilbur, unperturbed by my reaction.
“Think
again,” I retorted.
“Have a
closer look at the house, it may jog your memory.”
“It would
need more than a jog.”
“Perhaps a
marathon then.”
“You can’t
expect me to remember somewhere I’ve never been.”
“Have a
look anyway. Humour me.”
“Why not,”
I sighed. “If it gets you off my back.”
I returned
to the study, wandered over to the bookshelves again, and reaffirmed that the
books were mostly historical non-fiction. One shelf was devoted to novels, many
science-fiction, several in my own modest collection, others by well-known
living authors but with unfamiliar titles, others by authors whose names I did
not recognise. Was I so out of touch?
“So,” I
said, as I returned to the living room and continued my inspection, “am I
supposed to live here alone or am I married?”
“You live
alone—have for two years, since your divorce.”
That
surprised me. I turned to face him. “Divorced, huh? Any children.”
It was
Wilbur’s turn to be surprised, for some unfathomable reason, although he
quickly recovered with a quiet “no”.
I resumed
my browsing. As at Wilbur’s place, a recharger was attached to a wall, but
here, a phone—identical to the mini-monolith he had used—was sitting in it. My
suspicions mounted. “Mine, no doubt?” I said, with sarcasm as obvious as a Sumo
wrestler’s waistline.
“Of
course,” he replied.
“And yet
it’s clearly a mobile device. How come I didn’t have it on me when I was
deposited on your doorstep?”
Any hopes
of trapping him quickly vanished. He reacted with a hint of a smile. “No pockets. Remember?”
With
embarrassment, I recalled being naked on my bush trek. My suspicions eased
back to their previous level, merely extreme.
“Besides,”
continued Wilbur, “you have a notorious reputation for leaving your Babel
behind when you go out.”
“My bible?!”
O no, I thought, this is an enclave of
religious fundamentalists.
“No,” he
said, his expression fixed, before gesturing to the phone and enunciating more
carefully. “Babel.”
I said
nothing, just gave a suspicious nod, and moved to a small set of shelves
devoted to miniature art objects and mementoes. On one shelf, prominently
displayed: a large framed photo of a couple perhaps in their late fifties.
Though they evoked memories of my parents, I did not recognise them. “Who are
they supposed to be?” I said indicating the photo. “Mum and Dad?”
“Yes,” he
said, with a suddenly lighter tone. “Is it starting to come back?”
“Sorry to
disappoint you, but I’ve never seen them before in my life. Just an educated
guess on my part, based on their age.” Gaining no apparent reaction from him, I
browsed further along the shelf. I saw nothing of note until I noticed a
peculiar, transparent, hard plastic statuette shaped like a small pick axe,
fixed to the top of a long rectangular column. Beneath it, an inscription: ‘To
Ernest d’Alembert, in recognition of invaluable and original research.
Australian Historical Society’. Next to it: a framed copy of the front page of
a newspaper, ‘The Chord Times’. Beneath its prominent headline, ‘Local wins
award’: a photo of two men shaking hands, smiling for the camera, one handing
the other a statuette identical to the one on the shelf next to the photo. The
man receiving the award wore the same jumper I was wearing.
More
shockingly, he looked exactly like
me.
I’m sure my
heart skipped a beat. Just the same, I wasn’t going to accept this at face
value. “Do you really expect me to believe this? Anyone with a computer could
have cobbled it together. Whoever received this award was not me.”
“You don’t
remember?” said Wilbur, somewhat sheepishly I thought.
“Of course
not. Not the award, not the presenter, not the location. Hardly surprising,
since it never happened.”
“But it did,” said Wilbur, walking closer and
pointing at the photo. “I was there. This
is you. There’s your name.”
I looked at
the caption, but read only as far as ‘local historian, Ernest d’Alembert’.
“I’m not an
historian,” I said. “I’m a bank manager.”
To my
surprise, Wilbur cut short a derisive laugh, oddly shrill and, to my ears, not
altogether sincere. Then, almost with embarrassment, he said, “A what?”
“A bank
manager!”
Now clearly
worried and quizzical, Wilbur started shaking his head.
But I cut
in, pointing at the photo. “This isn’t me, I’m telling you.”
“It is you,” he replied. “It happened only
last month.”
I said
nothing but looked back at the photo, trying to think of a more caustic denial.
Inadvertently, I noticed the newspaper’s date: August 18, 2070.
“Hell of a
misprint,” I said. “You’d think they’d have picked that up.”
“Picked
what up.”
“The seven!”
I said peevishly, pointing at the printed year.
Wilbur
glanced at it quickly, before responding. “It’s not a misprint,” he said,
quietly.
I snorted
derisively until I realised Wilbur was serious—his face was filled with
unmasked concern. “So you’re telling me,” I scorned, “this is the year twenty seventy?”
“Yes,” he
stated matter-of-factly. “Of course it is. What year do you think it is?”
“Twenty thirty. Of course.”
He did not
reply, but I thought I saw a shimmer of uncertainty rapidly cross his face.
“O come
on!” I began.
Suddenly, I
was hit by an impossible realisation. An unbidden profanity leapt from my lips
only to fall quickly onto jagged rocks…
Odd
clothes, quiet peculiar cars, unknown city and region names, unfamiliar
architecture and town planning, even Wilbur’s damned kettle, and his ignorance
of Melbourne and Victoria. All this, and more, fitted. It made sense…
Somehow I
had been transported forty years into the future.
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Part 2![]() |